Giorgio BIANCOROSSO (PhD, Princeton) is the author of Situated Listening: The Sound of Absorption in Classical Cinema (Oxford University Press, 2016) and Remixing Wong Kar Wai: Music, Bricolage, and the Aesthetics of Oblivion (Duke University Press, 2024). He is the co-founder and editor of the journal SSS (Sound-Stage-Screen) and the co-editor of Scoring Italian Cinema: Patterns of Collaboration (2025). He is currently editing an anthology on Maria Callas tentatively called Maria Callas: Iterations, Mediations, and Metamorphoses. Biancorosso is the inaugural director of HKU’s Society of Fellows and is 2024-25 Luce East Asia Fellow in Musicology at the National Humanities Center, N.C. His staging of The Longest Days and the Shortest Days, a tech-cantata by Eugene Birman, was premiered at the Gulbenkian Auditorium (Lisbon) in September 2022 and will tour East Asia in 2026.

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Email: rogopag@hku.hk